Con la cicala nel petto

Mauro Vincenzo Bubbico

The frenzy of doing is all in the head. The mind is ancient, it is organized with appropriate medieval rooms, stores the memories and puts them at the service. Each room has an entrance and an exit, but each exit is an entrance and each entrance is an exit. Nothing settles, nothing is forgotten, everything is available. One can not see the stasis, the lingering sadness in front of the sunset, nor can one interpret the swarming, the burning embers under the ashes.

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    Mauro Vincenzo Bubbico, Italy (2017)

    Mauro Bubbico was born in Montescaglioso (Matera) where he lives and works as graphic designer since 1986. His favorite field is design for education and environmental sustainability. Along the years...

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    The frenzy of doing is all in the head. The mind is ancient, it is organized with appropriate medieval rooms, stores the memories and puts them at the service. Each room has an entrance and an exit, but each exit is an entrance and each entrance is an exit. Nothing settles, nothing is forgotten, everything is available. One can not see the stasis, the lingering sadness in front of the sunset, nor can one interpret the swarming, the burning embers under the ashes.

    Mauro Vincenzo Bubbico, Italy (2017)

    Mauro Bubbico was born in Montescaglioso (Matera) where he lives and works as graphic designer since 1986. His favorite field is design for education and environmental sustainability. Along the years his interests and his research on places and inhabitants has brought him to define an incisive and contemporary graphic language capable to narrate and enhance them, favoring their social, economic and cultural development. In his vision graphic design is primarily the ability to build great narrations. Mauro for many years has been teaching and still is teaching at Isia Urbino, Isia Faenza, Abadir and Unibz.

    Mauro Bubbico can be considered the true heir of the Italian popular visual culture, that was formed in the tradition of pre and post-war agricultural Italy and that still today lives. They are the bearers of a genuine, almost archaic, Italian identity that bases its assumptions on solid icons.
    He is never decorative in its signs, while building rich images but of a richness that is the essence of that material culture that manages to survive the post-digital nature of our contexts. It is never rhetorical in the denunciation.

    Exhibitions

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    The Design of Dissent

    2005

    School of Visual Arts, New York

    Icograda Design Week Torino Multiverso

    2008

    , Torino

    Spaghetti Grafica - Contemporary Italian Graphic Design, TDM 2

    2009

    Triennale Design Museum, Milano

    Finestre sull’Italia. Manifesti italiani dopo il 1990 by Mario Piazza, Flora Bianchesi and Jochen Oor

    2010

    Affiche Museum, Horn

    Graphic Intervention: 25 Years AIDS Awareness Posters 1985-2010

    2010

    Stephen D. Paine Gallery Massachusettes College of Art Design, Boston

    Avanti popolo. Il PCI nella storia d’Italia. Progetti/Confronti/Incontri. 34 designer interpretano il PCI

    2011

    , Roma

    Il futuro nelle mani: artieri domani by Enzo Biffi Gentili

    2011

    Officine Grandi Riparazioni, Torino

    Grafica Italiana, TDM 5

    2012

    Triennale Design Museum, Milano

    Mauro Bubbico. Con la cicala nel petto by Mario Piazza

    2016

    Cartacanta, Civitanova Marche

    SIGNS: la grafica italiana in mostra

    2016

    BASE, Milano

    Giro Giro Tondo. Design for Children, TDM 10

    2017

    Triennale Design Museum, Milano

    Education

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    Teacher

    • Postgraduate,  
    • Doctorate
    • Abadir Catania (Italy)
    • Free University of Bozen (Italy)
    • ISIA Urbino (Italy)
    • ISIA Faenza (Italy)