some recent (political) posters and drawings from the last years including Covid and a desesperate comment about the Russian/Ukrainian conflict ("WE WILL WIN" in Russian and Ukrainian kyrillici language).

Alexander Jordan

The posters and drawings are from the last five years, the most of them were made for local and international poster exhibition projects (Zero Hunger for the AGI congress in Paris), the black and white drawings are from my project PARADISE ON EARTH, you cen see them in my book RIONS NOIR (> publications>)

Images of some recent (political) posters and drawings from the last years including Covid and a desesperate comment about the Russian/Ukrainian conflict ("WE WILL WIN" in Russian and Ukrainian kyrillici language).

  1. Image 1 — Bildschirmfoto 2023 07 10 um 17 00 54 (some recent (political) posters and drawings from the last years including Covid and a desesperate comment about the Russian/Ukrainian conflict ("WE WILL WIN" in Russian and Ukrainian kyrillici language).)
  2. Image 2 — Bildschirmfoto 2023 07 10 um 16 55 51 (some recent (political) posters and drawings from the last years including Covid and a desesperate comment about the Russian/Ukrainian conflict ("WE WILL WIN" in Russian and Ukrainian kyrillici language).)
  3. Image 3 — Bildschirmfoto 2023 07 10 um 16 59 18 (some recent (political) posters and drawings from the last years including Covid and a desesperate comment about the Russian/Ukrainian conflict ("WE WILL WIN" in Russian and Ukrainian kyrillici language).)
  4. Image 4 — Bildschirmfoto 2023 07 10 um 16 56 25 (some recent (political) posters and drawings from the last years including Covid and a desesperate comment about the Russian/Ukrainian conflict ("WE WILL WIN" in Russian and Ukrainian kyrillici language).)
  5. Image 5 — Bildschirmfoto 2023 07 10 um 16 56 54 (some recent (political) posters and drawings from the last years including Covid and a desesperate comment about the Russian/Ukrainian conflict ("WE WILL WIN" in Russian and Ukrainian kyrillici language).)
  6. Image 6 — Bildschirmfoto 2023 07 10 um 16 58 11 (some recent (political) posters and drawings from the last years including Covid and a desesperate comment about the Russian/Ukrainian conflict ("WE WILL WIN" in Russian and Ukrainian kyrillici language).)
  7. Image 7 — Bildschirmfoto 2023 07 11 um 10 17 55 (some recent (political) posters and drawings from the last years including Covid and a desesperate comment about the Russian/Ukrainian conflict ("WE WILL WIN" in Russian and Ukrainian kyrillici language).)
  8. Image 8 — Bildschirmfoto 2023 07 11 um 10 17 01 (some recent (political) posters and drawings from the last years including Covid and a desesperate comment about the Russian/Ukrainian conflict ("WE WILL WIN" in Russian and Ukrainian kyrillici language).)
  9. Image 9 — Bildschirmfoto 2023 07 11 um 10 14 19 (some recent (political) posters and drawings from the last years including Covid and a desesperate comment about the Russian/Ukrainian conflict ("WE WILL WIN" in Russian and Ukrainian kyrillici language).)
  10. Image 10 — Bildschirmfoto 2023 07 11 um 10 14 47 (some recent (political) posters and drawings from the last years including Covid and a desesperate comment about the Russian/Ukrainian conflict ("WE WILL WIN" in Russian and Ukrainian kyrillici language).)
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    Alexander Jordan, France (1989)

    Alex Jordan is a graphic designer, photographer and (ancient) professor. 1966: university entrance diploma. 1966–70: studies at the Kunstakademie, Düsseldorf (Academy of Fine Arts). This was followed by his first...

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    The posters and drawings are from the last five years, the most of them were made for local and international poster exhibition projects (Zero Hunger for the AGI congress in Paris), the black and white drawings are from my project PARADISE ON EARTH, you cen see them in my book RIONS NOIR (> publications>)

    Alexander Jordan, France (1989)

    Alex Jordan is a graphic designer, photographer and (ancient) professor.

    1966: university entrance diploma. 1966–70: studies at the Kunstakademie, Düsseldorf (Academy of Fine Arts). This was followed by his first steps as an artist, husband, father, teacher and photographer.

    1976: arrives at the graphic studio Grapus in Paris.

    Learns about graphic design, in exchange for his own creative and political talents.

    1985: founded the photo collective le bar Floréal.

    1989: foundation of the graphic-design-group Nous Travaillons Ensemble in the interior of (1990 self-dissolving) Grapus with Ronit Meirovitz and Anette Lenz. (www.noustravaillonsensemble.fr)

    1990: National Graphic design award for Grapus (Pierre Bernard, Gérard Paris-Clavel, Jean-Paul Bachollet, Alex Jordan) after the break up of the group.

    1993 - 2013: professorship in the communication- and design department of the academy Kunsthochschule Berlin-Weissensee. (www.kh-berlin.de).

    Look also on www.laforge.org

    Publications

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    Imagerie

    (2013)

    • Alex Jordan

    Créaphis-editions

    A humorous mix of images from the productions of Grapus, l'atelier Nous Travaillons Ensemble, la Forge and le bar Floréal photographie group, where I spend my professional time (French and German)

    Berlin

    (2013)

    • Klaus Staeck,
    • Olivier Gaudin,
    • Stephan Weitzel ,
    • Alex Jordan

    Créaphis-éditions

    East- and West-Berlin in black and white, from 1978 to 2012. (French and German)

    Alex Jordan

    (2004)

    • Alex Jordan,
    • Janping He ,
    • Rainer Komers ,
    • Jean-Paul Bachollet

    Lingnan Art Publishing House

    One of the DESIGN & LIFE books on graphic designers all over the world

    Rions noir (Lough black)

    (2022)

    • Didier Daeninckx,
    • Alex Jordan

    Créaphis éditions

    Nearly 100 dessins, 16 short stories. It's all about actual times. In French and otherwhere.

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