Simpson Lee Sequences Poster Objects in Mirror

Katherine McCoy

From the "Sequences" paper promotion poster series, this image sequence looks at the historical technological progression of transportation and media that has created today's communications revolution. An automotive rear view mirror advances toward the present, beginning with the Gutenberg Press and ending with the Gutenberg Press displayed in a computer screen, mirroring our vales and simulating reality.

Images of Simpson Lee Sequences Poster Objects in Mirror

  1. Image 1 — Objects-in-Mirror-AGI-2000 (Simpson Lee Sequences Poster Objects in Mirror)

    Katherine McCoy, USA (1986)

    Katherine McCoy focuses on communication design, design criticism, and graduate design education. She began her work at Unimark International, an influential interdisciplinary American design firm. There she had the opportunity...

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    • Simpson Lee Sequences Poster Objects in Mirror, 1988

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    From the "Sequences" paper promotion poster series, this image sequence looks at the historical technological progression of transportation and media that has created today's communications revolution. An automotive rear view mirror advances toward the present, beginning with the Gutenberg Press and ending with the Gutenberg Press displayed in a computer screen, mirroring our vales and simulating reality.

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    • Simpson Lee Paper Company
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    Katherine McCoy focuses on communication design, design criticism, and graduate design education. She began her work at Unimark International, an influential interdisciplinary American design firm. There she had the opportunity to build on her industrial design education, assimilating Swiss-school graphic design form and method from Unimark’s European design staff, and participating in projects combining corporate identity, interior, exhibition and industrial design. In 1971, Katherine and her husband, Michael, became CoChairs of Cranbrook’s Graduate Department of Design, and formed McCoy & McCoy. Clients have included Chronicle Books, Chicago Bears, Detroit Institute of Arts, Denver Art Museum, and International Design Center Nagoya. Current work focuses on branding and interpretative materials for museums and Colorado environmental groups. Since 1997, she and Michael have hosted the High Ground Design Conversation, an annual gathering of design curators, critics and educators.

    Publications

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    Cranbrook Design: The New Discourse

    (1990)

    • Katherine & Michael McCoy

    Rizzoli International

    Graphic, industrial, furniture and interior design projects by Cranbrook Academy of Art graduate students, faculty and alumni from 1990 to 1990. Essays by Roy Slade, Niels Diffrient, Lorraine Wild, Hugh Aldersey-Williams, Daralice Bowles, and Katherine & Michael McCoy.

    Agencies

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    • Unimark International

      1967 – 1968

    • Chrysler Corporation Corporate Identity Office

      1968 – 1969

    • Omnigraphics, Boston

      1969 – 1970

    • Designers & Partners, Detroit

      1970 – 1971

    • Cranbrook Academy of Art Department of Graduate Design

      1971 – 1975

    • Illinois Institute of Technology Institute of Design

      1996 – 2003

    • McCoy & McCoy

      1971 – present

    Other Professional Activities

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    • Industrial Designers Society of America, President

      1983 – 1985

    • American Institute of Graphic Arts, Vice President

      1985 – 1991

    • American Center for Design, President

      1992 – 1994

    • National Endowment for the Arts, Design Arts Policy Panel

      1984 – 1986

    • National Endowment for the Arts, Design Arts Fellowships Grant Panel

      1981 – 1984

    • National Association of Schools of Art & Design Accreditation Teams

      1996 – present

    • BrandColorado Governor's Team

      2013 – 2014