Sange “flowering in the air” : The Consecration Rite of the Central Golden Hall of Kohfukuji Temple

Haruka Misawa

Images of Sange “flowering in the air” : The Consecration Rite of the Central Golden Hall of Kohfukuji Temple

  1. Image 1 — 09 mawari hana 5 (Sange “flowering in the air” : The Consecration Rite of the Central Golden Hall of Kohfukuji Temple)
  2. Image 2 — GE 0419 02 (Sange “flowering in the air” : The Consecration Rite of the Central Golden Hall of Kohfukuji Temple)
  3. Image 3 — 09 mawari hana 13 (Sange “flowering in the air” : The Consecration Rite of the Central Golden Hall of Kohfukuji Temple)
  4. Image 4 — 09 mawari hana 1 (Sange “flowering in the air” : The Consecration Rite of the Central Golden Hall of Kohfukuji Temple)
  5. Image 5 — 09 mawari hana 4 (Sange “flowering in the air” : The Consecration Rite of the Central Golden Hall of Kohfukuji Temple)
  6. Image 6 — 09 mawari hana 12 (Sange “flowering in the air” : The Consecration Rite of the Central Golden Hall of Kohfukuji Temple)
  7. Image 7 — GE 0419 07 (Sange “flowering in the air” : The Consecration Rite of the Central Golden Hall of Kohfukuji Temple)

    Haruka Misawa, Japan (2023)

    Haruka Misawa was born in Gunma Prefecture in 1982. Director of the Misawa Design Institute, Nippon Design Center. Associate Professor at Musashino Art University. After graduating from the Interior Design...

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    • Sange “flowering in the air” : The Consecration Rite of the Central Golden Hall of Kohfukuji Temple, 2018

      7 items, Exhibition

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    • Sange “flowering in the air” : The Consecration Rite of the Central Golden Hall of Kohfukuji Temple, 2018

      7 items, Exhibition

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    Haruka Misawa, Japan (2023)

    Haruka Misawa was born in Gunma Prefecture in 1982. Director of the Misawa Design Institute, Nippon Design Center. Associate Professor at Musashino Art University. After graduating from the Interior Design Course of Musashino Art University and working at the design office nendo, she joined Hara Design Institute at Nippon Design Center in 2009. She founded Misawa Design Institute in 2014.

    Misawa Design Institute
    Potential wonder in trivial things is expanded by the minimum behavior. They give a form to the experience that a familiar thing feels like an un-familiar thing as a universal language with people worldwide. Vastness in the microworld and de tails in the macroworld. Complexity in simplicity and simplicity in complexity. The in-sect vision and the bird vision. For a moment and a century later. Going back and forth be-tween these two worlds, they are trying to increase the purity of what they create. They work on things that design has never done before, in areas and with people who have never had anything to do with design. They believe that design is to keep creating things that make people evoke the question, “Is this design?”