Modern Rose

Kim Eojin

This exhibition tells the history of the Nam-Seoul Museum of Art. It uses Korean characters to convey architectural elements of the museum, which was a Belgian consulate 100 years ago.

Images of Modern Rose

  1. Image 1 — Se MA Nam Seoul poster final (Modern Rose)
  2. Image 2 — Modern Rose 11 (Modern Rose)
  3. Image 3 — Modern Rose 14 (Modern Rose)
  4. Image 4 — MR 1 (Modern Rose)
  5. Image 5 — MR 2 (Modern Rose)
  6. Image 6 — MR 6 (Modern Rose)
  7. Image 7 — MR 9 (Modern Rose)

    Kim Eojin, South Korea (2023)

    I am a graphic designer and co-owner of the Seoul-based design studio Everyday Practice. While I love the traditional design process, my own working process can often be iconoclastic. This...

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    https://a-g-i.s3.eu-west-3.amazonaws.com/KimEojin/_1600xAUTO_crop_center-center_75_none/ModernRose_11.jpg
    https://a-g-i.s3.eu-west-3.amazonaws.com/KimEojin/_1600xAUTO_crop_center-center_75_none/ModernRose_14.jpg
    https://a-g-i.s3.eu-west-3.amazonaws.com/KimEojin/_1600xAUTO_crop_center-center_75_none/MR_1.jpg
    https://a-g-i.s3.eu-west-3.amazonaws.com/KimEojin/_1600xAUTO_crop_center-center_75_none/MR_2.jpg
    https://a-g-i.s3.eu-west-3.amazonaws.com/KimEojin/_1600xAUTO_crop_center-center_75_none/MR_6.jpg
    https://a-g-i.s3.eu-west-3.amazonaws.com/KimEojin/_1600xAUTO_crop_center-center_75_none/MR_9.jpg
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    • Modern Rose, 2019

      7 items, Exhibition

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    This exhibition tells the history of the Nam-Seoul Museum of Art. It uses Korean characters to convey architectural elements of the museum, which was a Belgian consulate 100 years ago.

    • Client:

    • SeMA, Nam-Seoul Museum of Art
    • Sector:

    • Countries:

    • Disciplines:

    • Details:

    • Book
    • Poster
    Kim Eojin, South Korea (2023)

    I am a graphic designer and co-owner of the Seoul-based design studio Everyday Practice. While I love the traditional design process, my own working process can often be iconoclastic. This is not to rebel against the status quo, but rather to satisfy my ongoing curiosity about the solidity of tradition. When I break down different aspects of tradition, I create new formalities by setting modest rules in the gaps I find. As such, my work doesn’t make a lot of noise, but it is scattered with small, thought-provoking fragments of order here and there. This reflects my habit of casting new perspectives on all aspects of life, and my belief in the power of design to contribute to human life in some way.

    Education

    plus

    Lecturer

    • Undergraduate

    2016 – today

    • Daejeon University (South Korea)

    Graphic Design

    Agencies

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    Awards

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    • 2019

    Korea Design Award(KDA), The Final Winner
    • 2022

    Industrial Designers Society of America(IDEA), Silver
    • 2022

    Red Dot Design Award, Winner
    • 2023

    iF Design Award, Winner