Budapest 1956 / Bartók 2016 Brisbane

István Horkay

2016 is Bartók's anniversary in classical music, this year marking the 135th anniversary of his birth. Bartók is considered one of the most important composers of the 20th century and Bluebeard's Castle is his only opera. Bluebeard’s Castle has never been performed in Australia in it's original language, Hungarian, and our performance will be the first time it has been experienced by Australian audiences. The project presents an opportunity for cultural exchange between Australia and Hungary.

Images of Budapest 1956 / Bartók 2016 Brisbane

  1. Image 1 — HUN Istvan Horkay 1 (Budapest 1956 / Bartók 2016 Brisbane)
  2. Image 2 — HUN Istvan Horkay 2 (Budapest 1956 / Bartók 2016 Brisbane)
  3. Image 3 — HUN Istvan Horkay 3 (Budapest 1956 / Bartók 2016 Brisbane)
  4. Image 4 — HUN Istvan Horkay 4 (Budapest 1956 / Bartók 2016 Brisbane)

    István Horkay, Hungary (2017)

    Also noted a painter, applied graphic artist, and filmmaker, Horkay mastered his mature and confident technical knowledge in a pluralistic artistic environment pregnant with a variety of styles and trends...

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    • Budapest 1956 / Bartók 2016 Brisbane, 2016

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    2016 is Bartók's anniversary in classical music, this year marking the 135th anniversary of his birth. Bartók is considered one of the most important composers of the 20th century and Bluebeard's Castle is his only opera. Bluebeard’s Castle has never been performed in Australia in it's original language, Hungarian, and our performance will be the first time it has been experienced by Australian audiences. The project presents an opportunity for cultural exchange between Australia and Hungary.

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    • Opera Queensland /South Brisbane Australia
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    • Flyer
    • Illustration
    • Poster
    István Horkay, Hungary (2017)

    Also noted a painter, applied graphic artist, and filmmaker, Horkay mastered his mature and confident technical knowledge in a pluralistic artistic environment pregnant with a variety of styles and trends. The message of his surreal posters, which move the viewer’s imagination, is carried by the unstable symmetry of compositional elements forced into strict equilibrium situations, but also playfully tilted out of them. It follows from the picturesque inspiration of Horkay’s works that typography never becomes an integral part of pictorial representation. The texts function as a reference field, giving the key to interpreting what is seen. The characters in the posters are typically Central European, Kafkaesque figures who are the heroes of the fictional mythology of our subconscious world. The metaphorical language of the posters is given by the prolific interplay of seemingly contradictory, yet brought into symbiosis, or assmbled like elements of a collage.
    His particular graphics, collages, photo transcripts and experimental motion pictures have been associated with postmodern imaging. He has worked as a designer in several films by Peter Greenaway.