Bregenz Hafen glass graphics – a visible code, an encrypted text

Reinhard Gassner

For the harbour building of the City of Bregenz, an effective visual screen for 80 bays of full-height glazing was to be developed that would not impair the transparency of the building envelope. The basis for the concept is provided by band of text in the shape of a rhythmical, graphical system of symbols of an abstract binary basic code; instead of 0/1, black and white are used in the form of a boustrophedon cuneiform script.

Images of Bregenz Hafen glass graphics – a visible code, an encrypted text

  1. Image 1 — glasgrafik 1 (Bregenz Hafen glass graphics – a visible code, an encrypted text )
  2. Image 2 — glasgrafik 2 (Bregenz Hafen glass graphics – a visible code, an encrypted text )
  3. Image 3 — glasgrafik 5 (Bregenz Hafen glass graphics – a visible code, an encrypted text )
  4. Image 4 — glasgrafik 3 (Bregenz Hafen glass graphics – a visible code, an encrypted text )
  5. Image 5 — glasgrafik 6 (Bregenz Hafen glass graphics – a visible code, an encrypted text )
  6. Image 6 — glasgrafik 4 (Bregenz Hafen glass graphics – a visible code, an encrypted text )

    Reinhard Gassner, Austria (2000)

    1964 – 1968 Trained as reprophotographer; professional education and graphic art training at the studio of his brother, Franz Gassner, MA; Opening of his own design office in Feldkich in...

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    • Bregenz Hafen glass graphics – a visible code, an encrypted text , 2010

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    For the harbour building of the City of Bregenz, an effective visual screen for 80 bays of full-height glazing was to be developed that would not impair the transparency of the building envelope. The basis for the concept is provided by band of text in the shape of a rhythmical, graphical system of symbols of an abstract binary basic code; instead of 0/1, black and white are used in the form of a boustrophedon cuneiform script.

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    • City of Bregenz
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    Reinhard Gassner, Austria (2000)

    1964  –  1968 Trained as reprophotographer; professional education and graphic art training at the studio of his brother, Franz Gassner, MA; Opening of his own design office in Feldkich in 1976,  from 1987 in Schlins/Vorarlberg; from 1996 to 1999 external consultant and design head of the InterMedia course at the University of Applied Sciences, Dornbirn/Vorarlberg; Gassner’s works have received many international awards and have been widely published; in addition to regular commissions, Gassner also works internationally as a curator, lecturer and author; member of the Austrian professional association Design Austria and of the Alliance Graphique Internationale AGI; from 2010 partner in Atelier Gassner KG.