Bohemia

Eduardo Manso

Bohemia has been conceived by the intention to be used supporting a good "performance" in all sizes. Not inspired in by a concrete model, it’s a modern vision of a whole epoch: the typographical atmosphere of the ends of the 19th century. Bohemia brings together the characteristics of the transition typefaces and the modern ones, being his principal axis vertical. Nevertheless, the transition of the thick outlines to the thin ones is harmonic, in contrast with many typefaces of its style.

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    Eduardo Manso, Spain (2010)

    Eduardo Manso is an argentinean type designer living in Barcelona since 2000. Before setting up his own foundry he had already published a number of fonts through T-26, ITC Fonts...

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    • Bohemia, 2003

      1 items, Type Design

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    Bohemia has been conceived by the intention to be used supporting a good "performance" in all sizes. Not inspired in by a concrete model, it’s a modern vision of a whole epoch: the typographical atmosphere of the ends of the 19th century. Bohemia brings together the characteristics of the transition typefaces and the modern ones, being his principal axis vertical. Nevertheless, the transition of the thick outlines to the thin ones is harmonic, in contrast with many typefaces of its style.

    • Client:

    • Emtype Foundry

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    Eduardo Manso, Spain (2010)

    Eduardo Manso is an argentinean type designer living in Barcelona since 2000. Before setting up his own foundry he had already published a number of fonts through T-26, ITC Fonts, Bitstream and Linotype. He has designed custom typefaces for clients worldwide, such as Puma, The Sunday Times of London, the Munich Airport or the Gaudí house 'La Pedrera' (the stone quarry) in Barcelona. Among other awards, he has received the 'Certificate of Excellence in Type Design' from the Type Directors Club of New York in three times (2004, 2006 and 2007). He currently gives typography classes at a number of schools in Barcelona and designs new typefaces.

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