Address Sans

Alejandro Paul

In a range of 3 widths and 8 weights each, Address Sans includes little verses, true italics, small caps and numerous alternative signs for a total of 48 fonts. The result is a functional typeface that is effortlessly seductive, with geometric features and design details that ooze cool, and take it away from mere reinterpretation towards typographic forms that adapt perfectly for contemporary use.

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    Alejandro Paul, Argentina (2011)

    Ale Paul is a typeface designer, educator, and co-founder of Sudtipos, one of Latin America’s most influential type foundries. After working as an art director in leading Argentine design studios...

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    • Address Sans, 2019

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    In a range of 3 widths and 8 weights each, Address Sans includes little verses, true italics, small caps and numerous alternative signs for a total of 48 fonts. The result is a functional typeface that is effortlessly seductive, with geometric features and design details that ooze cool, and take it away from mere reinterpretation towards typographic forms that adapt perfectly for contemporary use.

    • Client:

    • Sudtipos
    • Sector:

    • Disciplines:

    • Details:

    • Typeface
    • Typography
    Alejandro Paul, Argentina (2011)

    Ale Paul is a typeface designer, educator, and co-founder of Sudtipos, one of Latin America’s most influential type foundries. After working as an art director in leading Argentine design studios, he turned his focus to typography, developing typefaces for branding, packaging, editorial, and cultural projects worldwide.
    His work has been recognized by the Type Directors Club of New York and TDC Tokyo and featured in numerous international exhibitions and biennials. In 2011, he became the first Argentine designer invited to join the Alliance Graphique Internationale.
    Ale’s typefaces and personal projects are held in collections including the Museum of Fine Arts, Boston, and the Museo de Arte Moderno de Buenos Aires. Through Sudtipos, his teaching, and his international lectures and workshops, he has played a central role in bringing Latin American type design to a global audience.

    Publications

    plus

    Scripts, Hand-lettering and Calligraphy

    • Jan Middendorp

    Gestalten

    Exhibitions

    plus

    Bienal Tipos Latinos

    2001

    During the last 10 years many of my works were selected to be part of the international Tipos Latinos Blennial.

    Education

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    Teacher

    • Postgraduate

    2008 – 2016

    • Universidad de Buenos Aires (Argentina)

    Part of the academic team at the Master of Typography design at FADU, UBA.

      • ()

      Lectures

      plus

      TMDG

      (2006)

      • Trimarchi, Argentina

      Type Directors Club NYC

      (2009)

      • Type Directors Club NYC, USA

      Spaces in type design

      (2009)

      • Typo Berlin, Germany

      DiaTipo

      (2010)

      • DiaTipo, Brazil

      Type Masters Week

      (2011)

      • Type Masters week NY, USA

      Typographic Niches

      (2013)

      • ISType, Turkey

      TypeCon Keynote presentation

      (2013)

      • TypeCon, USA

      Specimens

      (2016)

      • AGI OPEN, South Korea

      Agencies

      plus

      Awards

      plus
      • 2008

      Burgues Script font. TDC2 Certificate of Excelence.
      • 2009

      Adios Script font. TDC2 Certificate of Excelence.
      • 2011

      Poem Script font. TDC2 Certificate of Excelence.
      • 2011

      Piel Script font. Letter2 award.
      • 2012

      Hipster Script font. TDC2 Certificate of Excelence.
      • 2016

      Courtesy Script. Communication Arts Award of Excellence.
      • 2014

      Bellissima Script. Communication Arts Award of Excellence.
      • 2014

      Rolling Pen. Communication Arts Award of Excellence.
      • 2017

      Prangs, Communication Arts Award of Excellence.
      • 2019

      Clockmaker, Type Directors Club Tokyo, Selected